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The
Save for Web dialog box consists of Tabs
(Original, Optimized, 2-Up, 4-Up) to control
how many Optimization Previews
of the image you can see (from 1 to 4 Previews at
a time). A set of Hand, Slice, Magnification
, and Eyedropper Tool s, and Image
Compression Options (Image
Type, Palette, Dither Type, Compression, Colors,
Dither Percentage, Transparency , Matte
, Interlaced, and Web Snap ) are included.
Output Settings, a Color Table, Color
Table Options , Image Size, Magnification
Level, Info Bar, and Info Bars at the
bottom of each Preview Window are also included.
We will cover the Slice Tool and
Output Settings later in the manual so focus
your attention on the other features of this dialog
box for the time being.

Save
For Web dialog box
Preview
Windows
Select from Original, Optimized, 2-Up,
and 4-Up to see various versions or your
image in the Preview Windows. You’ll
be applying various compression and file-type settings
to your image. Photoshop gives you a
real-time preview of what the image looks like with
a particular set of compression options. {Click}
on the 2-Up Tab. Two Preview Windows
result, one titled “Original” in the Info Bar
at the bottom, which includes the File Size, and
one titled with the currently selected Image
Compression options, including File
Type, File Size, Projected Download Time, Dither
percentage, Palette, and Number of
Colors. Depending on your current Image
Compression options the new version of the image
should be dramatically smaller than the native Photoshop
version.
compression
Options
Photoshop has numerous Compression
Options you can apply to an image
to prepare it for the Internet. Select from
a list of pre-set Compression Options by
selecting Settings which include GIF, JPEG,
and PNG variations. At this point PNG is not
recommended because the file format hasn’t yet been
widely supported by the browsers. There are
a few things to consider when selecting an appropriate
compression option:
-
Nature
of the Image: Solid Colors, Sharp Edges, Photograph
-
Target
Audience Bit-Depth: 8-bit display or higher?
-
Target
Audience Bandwidth: Low, Medium, or High?
If
the image is made up of predominantly solid colors
and sharp edges, such as the image we are working
with, then GIF is the best format because file size
will be significantly smaller than using JPEG.
JPEGs are 24bit images with over 16 millions colors
and are much more suited to Photographic images
which tend to be made up of a wide variety of colors,
tones, and little, if any, patterns.
Select
each of the pre-set GIF Compression Options
and examine the image and the image size.
When you can, it’s advisable to use the Web
Palette to ensure that people using 8-bit
displays see the image as you do. More and
more users have 24-bit color displays so Web Safe
colors are becoming less of an issue than they were
in the past. We will, however, employ them
in this example to see how they work. Select
GIF Web Palette from Settings. You’ll
notice that certain colors shift slightly from the
original. In many cases, when you are creating
images of this type that are not logos these color
shifts are acceptable. However, your client
may not agree to slightly different colors for a
logo. At present, if you examine the Color
Table you’ll notice that there are only 26 colors
in the compressed version of the image. To
adjust these settings, such as adding more Web Safe
colors you’ll have to build Compression Options
yourself.
Building
Compression Options
If none of the pre-set Compression Options
is useful to you, you can customize options
by using the drop-down settings, which include Image
Type, Palette, Dithering , Lossy, Colors,
Matte Color, Transparency ,
Interlaced, and Web Snap .

Compression
Controls
Make
sure you {Click} the Preview Window
to make it active. Select GIF from
the Image Type drop-down menu. Select
Web from the Palette drop-down menu.
For Dithering , select No Dither.
Feel free to experiment with the other settings
to view the effects on your image. For Lossy
select 0 by using the slider. Drag it up and
down and see the effect on the image and the file
size. Experiment with Colors and examine
the effect on the image and the file size.
Select Auto when you have finished.
Again,
you’ll notice that some of the colors, particularly
the color of the blue sash have shifted in tone.
If this isn’t a concern you can {Click} OK
and save your image. However, we want to make
the sash in the web image as close as possible to
the original. Select the Eyedropper
Tool and sample the blue color in the
original image. Make sure you select the GIF
Preview Window to reactivate it. {Click}
the Add Eyedropper Color icon at the bottom
of the Color Table .
The
blue elements return to their original color.
Make
sure the settings are as follows: Gif, Web, No
Dither, and Auto for Colors.
The image should be from 3k to 4k in size.
{Click} OK to save the image at the default
output settings. Photoshop automatically
retains its current name and adds the appropriate
extension, .gif.
Compressing
Photographic Images
Photographic images and images with smooth color
blends and transitions are better compressed with
JPEG compression. Before we create our custom
logo, we’re going to optimize an image of a Japanese
Torii gate. Open Miyajima from
the chapter008 folder. The gate
will become an element in a design we will create
later. Resize the image so it’s 200 pixels
across and 267 pixels high. Save it as a Photoshop
file and title it shrinegate.
Remember it’s essential to save and keep the source
or original file in case of further changes.

JPEG
Compression
Select File/Save for Web. Using the compression
settings we used for the travelogo
image isn’t practical for this type of image.
Make sure you select GIF, Web, No Dither,
and 256 Colors for the image. Notice
the sky is now made up of about three colored stripes.
The smooth transition from dark blue to a very light
blue is entirely lost. Even if you select
Diffusion as a Dithering option
the transition remains uneven and the image looks
more like a painting rather than a photograph.

GIF
compression isn’t suitable for
most Photographic Images.
Change
Image Type to “JPEG.” Because JPEGs
use a 24-bit color palette, the Color Table
is empty. Options change to pre-set
Levels of Compression (Low,
Medium, High, Maximum), Progressive, ICC Profile,
Optimized, Quality, Blur , and Matte
.
Compression Levels
Photoshop ’s preset JPEG compression settings
contain particular Quality values.
Quality refers to the amount of compression
placed on the image. The lower the number,
the less the Quality, the higher level of
compression, which makes for smaller file sizes.
You will have to make the decision. You will
have to decide at which point does image Quality
override file size. Select Low.
The Quality setting changes to 10.
You’ll notice small blots or artifacts along the
edge of the ttop of the gate. Select the other
Compression settings and examine the
image. Use the Quality slider for more
control and examine the Quality of the image
and the change in file size. There can be
a large variation in file size from the lower settings
to the higher, but very often, you’ll find a range
of 20 – 40 in terms of Quality usually does
well.
Checking
Progressive forces browsers to display a
low-resolution or partial version of your image.
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